| Hotel in Florence Italy
Florence was seat of important tapestries and ceramics factories. At
the arazzeria medicea worked as cartonisti also the Bachiacca (the months),
the Vasari, the Stradano ( the hunts of lean to Caiano ), to. Laurels,
etc. between the arazzieri that happened as directors to Rost and Karcher
remember b. Ring, g. Pronounced, g. Papini, j. M. van Hassel, p. Lefebvre.
This finish he introduced the weaving to high liccio, considered superior
in France, and renewing the cardboards, which however went back to the
previous forms was necessary; the most original series is that of the
hours, still preserved in rent, at Old Palace, as besides almost all the
Fiorentino production. In seven a hundred Frenches' way gave the step
to a renewal set up by the g Italians. B. Finish, to. Bronchi, g. Pieri;
contributed there the very able arazziere Leonardo Bernini (helped from
1717 to 1731 by Vittorio Demignot), author among the other of the four
parts of the world on drawings of Sacristans Giovanni and Gerolamo Popes,
and Proserpina Rat on Giovanni Grisoni drawing. The arazzeria was closed
in 1737 when the doctors' house was extinguished.
Ceramics
How ceramic Florence center was distinguished for the production of the
maioliche. Under the push of Of The Robbia, the Fiorentino maiolicari
were freed from the old ornamental repertoires, introducing, about to
the half of the sec. XV, new themes. The cinquecenteschi models reflect
the style drawn by the works of the Botticelli. In the risen oven in the
Boboli Gardens to want of medical Francesco dè a pseudo was found
out in 1575-tender pasta china dictates doctors china.
Libraries and archives
The Central National Library is the greater library of Italy as to dimensions,
with about five handwritten million of volumes and 24.000. Entitled Antonio
Magliabechi (1633-1714), what he created the original core leaving it
for will in public use, it had since seven a hundred accessioni of very
rich funds: the private marbles. The very heavy damages, and in part irreparable,
were contained thanks to the engagement of librarians and run young people
by all the parts of the world and to wise restoration work LED in the
next years. Between his directors I am to remember Chilovi Wish (1885-1905)
and Emanuele Casamassima (1965-1970). The Medicea Laurenziana library,
founded from Cosimo the old one as private library, was opened to the
audience in his michelangiolesca place of business in 1571. The Marucelliana
Library, born in 1702 of a legacy of the Fiorentino patrician abbot Francesco
Marucelli, was opened to the audience in 1752. The Riccardiana Library,
created by the Riccardi family towards the end of five a hundred, became
public in 1815.
T he Renaissance that Florence bought a big importance: the holy representation
with all his scenografico pomp took form here and, the most significant
learned comedies were presented here, often in the private places of business.
Simultaneously the doctors encouraged engagement shows calling to collaborate
prestige artists, above all in the last thirty-year period of the sec.
XVI. In 1565, for the parties in honour of the daughter in law of Cosimo
the, Giorgio Vasari prepared The F Cofanaria. Of Amber In Old Palace,
he took the cars of the Annunciazione Of The Brunelleschi In S again.
Spirit, organized mask, processions, military parades, etc. in 1586, for
the wedding of Este Cesare with medical Virginia dè, b. Buontalenti
staged with big suggestion effects the faithful Giovanni dè friend
harness, important member of that Fiorentino Dormitory which was to the
origin of the melodrama, and three after years, in opportunity of another
marriage, gave excitant scenica garment to the G Pellegrina. Bargagli,
acted by the Siena Intronati with breaks of the dormitory. Other important
kind was the work-tournament, where were counting the scenografici devices
very much and choreographic. The first public musical schools were opened
to the beginnings of eight a hundred; since 1912 the conservatoire L.
has been active. Cherubim, with rich library and museum.
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